Hubs and I went for a short Sunday drive yesterday, just to get out, and I took along my painting rig. I only knew about this spot because a good six-plus years ago it was the first place I met with the Thousand Oaks plein air group. (I washed out with them after about five outings).
This is pretty much the same scene that I did that time. The darkness of the trees against the mountain call me. Anyone who has been to Peter Strauss Ranch knows this tree.
(So now I wonder…where IS that way-too-big, did-not-get-past-the-block-in, I-must-have-been-crazy, plein air that I did then? I don’t throw anything away. At least, not in the first year… Hmm… )
Found it. 16″x20″, I was a plein air noobie with no guidance, and had no clue that that was way too big. This scene is a slightly different angle, with the tree I did yesterday to the right. I don’t throw things away because the historian in me likes to keep me honest!
So, anyway, back to yesterday. As usual, when the light is all over, I rather wish I had a organizational scheme that could help me. Or, I come away thinking that I really ought to pair down my landscapes to one bush or tree and then work back up to large scenes like this. Another think is that I ought to be doing much more comparing of values. Still, after a day’s review, I’m okay with it.
I finally wrangled my artist friend Valerie outside to meet for plein air. Quite a feat, because she has to be the busiest person I know. I used to set type for her, beginning about 1983!
(How is it possible we’ve gotten so old, Val?)
We painted in full sun, so when I got home it was a lot darker than it had looked while working. The sun blasts your retinas out and the paint you mix is darker than you think. This means I should go back in and “add sunlight” to those mountains because there should be a higher, brighter value going on up there. (Not sure I will, I kind of like it the way it is now. Haven’t messed with it yet.)
Valerie started a larger canvas and only managed a block-in before the wind dried up our paint and we were scraping around our palettes. Still, we had a good time and, after a respectable length of time out, we packed it in and went to lunch at Stonefire Grill for a yummy barbecue chicken salad.
Thanks for lunch and for joining me, Val!
(Sorry I can’t seem to get these pictures to play nice and line up next to each other… )
Took January 31st off from painting—I had the end of the website update, two shifts at the pantry, and a long weekend at mom’s that week. Painting was not on my radar.
We met at Jane’s February 7 and 14 because it was windy one week and drizzly the next. This time I went prepared with references. For the first week, I came back around to Phyllis’ son’s dog, Djecko, the one I wanted to paint back on January 10 in her backyard. I had a photo of him staked out on the chaise lounge.
I got most of it on there and finished it at home. I don’t have the finished one to post yet. I am giving it to Phyllis to give to her son.
The second week I did my daughter’s dog, Ranger. Her dog is really a light medium gray and not this dark, but I didn’t really care or worry about perfection of color. I was more concerned about working quickly. I still have to do my touch-ups on Ranger.
These both felt easier than doing landscape. Then again, I think even portraits are beginning to feel easier than landscape.
My New Year’s goal seems to be “think less, move faster.”
There’s a ladies restroom in this building, off canvas and up the stairs to the right. Phyllis walked by on her way over and asked, “Painting the women’s bathroom?”, so the title is on her. I thought I was painting the urn and tree.
I was able to get into this one fairly quickly. On the last two paintings I have tried using “sight size” to get started. That means I hold the canvas up at eye level and to one side of what I am aiming at. With a pencil, I roughly indicate the horizontals of the scene–in this one, the top roof line, the tile roof line, the brick line, etc. It takes 30 seconds and helps get the proportion of the scene in place. It all gets adjusted from there, but it has helped me speed up…at least so far.
I decided to lay in the big patches of color first and then go back and modify each patch…quickly, now, without thinking a lot. It still needs areas of bright sunlight and some bright color, and thicker paint, but I am not unhappy with it. Another one to play with on another day.
Feeling negative about painting. Didn’t want to paint today.
I can’t tell if it is the old I-don’t-like-painting-as-much-as-I-think-I-do OR I-have-too-much-on-my-plate-to-relax. Probably the second thing. I have a website update to do in the next two weeks, a pattern to design and sew, and a pantry booklet to revise (again).
Think I’ll wait until those are done to think seriously about g-o-a-l-s.
Oh, yeah. So, this is a dry, river-rock-filled wash. I had/have no idea how to paint river rocks en masse at this distance. At least two of the others were painting the huge tree to the left that was casting the shadow.
This was a much nicer view than I have it; I brought it home as you see it. Not sure if I’ll get back to it to do it justice.